Archive for June 2011

Designing Information: The Need For Graphicacy

There is a burgeoning need to categorize and reshape today's information in innovative, recognizable, image-based ways. Now, with the onslaught of visual stimuli, from the Internet to infographics, there is a need to represent pictorially the multi-dimensional world of 3D and 4G information. From an educational standpoint, this means designing complex information for a range of learners. The manipulation of data through the use of images is crucial to understanding facets of meaning.


ASIDE 2011
Graphicacy represents an emerging literacy joining mathematical, textual, media, technological, and financial proficiencies. It moves beyond just being "visually literate" and instead combines mathematics, statistical analysis, geographic interpretation, and graphic design. Graphicacy is the ability to analyze and interpret information in a graphical form. It delineates clear, achievable skills that encapsulate the necessary benchmarks for today's children and tomorrow's professionals. Essentially, teachers must design information for educational use and also help their students decode the visual galaxy that encompasses their current world.

The crucial skill of graphicacy is vital to sustaining the relevance of a school's curriculum and also to sustaining the prominence of school graduates in a competitive marketplace. Students must be graphically literate to be informed, as they slice data, images, and words into layers of information and construct relational meanings. Graphicacy education, like literacy, oracy, and numeracy, completes the lines of communication necessary for learners in the 21st century.

Resources:
The Emergence of Graphicacy by Poracsky, Young, Patton
Graphicacy: The Third Skill by Spielman
Graphicacy as a Form of Communication by Wilmot

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The Design Of Political Cartoons

"Next!" Puck Magazine, 1904. Source: Wikipedia
Thomas Nast
Self-Portrait
Magazines such as Puck and Harper’s Weekly established themselves as signature publications of the Progressive Era through their opinion-making political cartoons and celebrity artists. A good political cartoon succeeds based on its combination of image design and concise information delivery. The two essential questions to ask students when interpreting a cartoon are:
  1. What do we see in this image?
  2. What do these symbols and words tell us about the artist's opinion? 
Online archives offer great tools to examine past events through primary sources. Cartoons today are also invaluable in comparing points of view about national news stories and teaching perspective and opinion to young learners.

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Infographics In The Classroom

An infographic is a visual representation of facts or ideas. Typically colorful and creative, infographics depict details and numbers in easily understood, attention-grabbing ways. Wikipedia points to the ability of information graphics to “present complex information quickly and clearly.”

Source: ginva.com
Infographics are fun to look at, and they are great for teaching. Infographics divide ideas into categories. For example, they can reveal changes in public opinions or chart the popularity of websites.
Bold hues, expressive fonts, and nifty layouts all combine to make dynamic, eye-catching graphics that convey specific messages to the viewer.

Author: Serge Esteves

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Signs Of The Times

The New York Times frequently features excellent graphics in its news analysis. Its explanations of the Fukushima plant disaster helped educate readers about nuclear science and radiation risk. Its maps and political charts regularly add insights to daily issues under discussion. Online, the New York Times site offers interactive graphics about topics such as immigration changes or Netflix queues or Olympic medals. In the Op-Ed pages, regular contributor Charles M. Blow delivers astute commentary through his “Op Chart” column.

Source: The New York Times
We find all of these infographics catchy and appealing, and our students do, too. They are a great way to highlight discussions of current events in the classroom. They help make difficult news and economic concepts more approachable.

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Current Events Through Graphics

Weeklies such as Time, BusinessWeek, and The Economist all feature full-page infographics to encapsulate the main ideas behind their cover stories.

Source: BusinessWeek
Political platforms, census data, and financial metrics all come to life with vivid colors and easy-to-read numbers that engage the eye. Creative graphics, just like editorial cartoons, emerge from long paragraphs of text to convey quick take-away messages that remain in readers’ and students’ minds.

For example, last month we used the Time storm tracker maps to make sense of the recent devastating natural disasters affecting the nation.
Source: Time Magazine
Infographics are good to share for a quick five-minute opener to a Monday lesson, or for layering into Prezi or SMARTboard presentations. Also, students get used to recognizing infographics and begin to include them in their own reports.

We’ll try often to share graphics in the news that we use in our classrooms.

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Visual Immediacy

Regardless of medium or era, education has always been the act of offering information for acquisition. “Learning” is the individual process, where one internalizes new concepts or skills. “Education,” though, is the active delivery – the technique of shaping and structuring ideas by an instructor so they are assumed readily and permanently by a student.

The two most obvious changes in educational delivery over the past 15 years have been the visual representation and immediacy of information.

Communication has advanced along an accelerating continuum from the town crier to the printing press to the telephone, radio, television, and Internet. The change in fact-finding, however, is different from simple communication.

The New Bloom's Taxonomy - Author: Samantha Penney
Information channeling today is other-dimensional compared to the patterned practice of 20 years ago. In 1990, when a student needed to write a report on penguins or General Motors, he or she was dutifully dropped off at the library by a parent and picked up eight hours later with a folder of Xeroxes and microfiche printouts. Today the rapid and overwhelming access to information leads to a host of questions regarding accuracy, propriety, and property. Also, these facts and opinions are typically encountered on the visual screen.

Howard Gardner’s learning styles seem somewhat quaint today now that every child is a visual learner. An updated system should be called “Visual+”, meaning “visual” and then some other intelligence. From infancy, kids are babysat by televisions. They absorb fairy tales from picture books and point to themselves in their own digital photographs. As teachers, we, too, rely on the immediate, pictorial nature of facts when we need to find a quick historical photograph in Wikimedia or search directions on Google Maps or snap a QR code with our smartphones.

We try to remember that if we as teachers aren't using something anymore, it seems strange to make our students use it -- just because "we did it when we were their age."

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